Thursday, December 14, 2017

Sigmata & Cryptomancer: Gauntlet Podcast Interview

SIGNAL-PLAYER GAME
Today on the Gauntlet Podcast I talk with Chad Walker, designer of Cryptomancer. He has a Kickstarter currently running for his game Sigmata: This Signal Kills Fascists. We talk about both games, ideas of security, and how politics fit into his rpgs. You can find the podcast link here. We’ve also posted the audio on YouTube and I've linked that below. 

I really dug this conversation. It gave me greater insight into Cryptomancer, a game that surprised me in play. It’s on my short list of rpgs to revisit for the Gauntlet Hangouts in 2018. Sherri always brings it up when we discuss future campaigns. After I ran my online sessions I wrote a post/review you can see here; that links to our actual play videos. 

We recorded this interview before Walker finalized his campaign's launch, so we missed a couple of things. In particular he hadn’t pulled together his stretch goal projects. Since then he's added several designers authors with new material. As of this writing he’s funded four of those: 

  • "Black Snake Rebellion" by Ishki Ricard which delves into Native American issues and ideas. 
  • "Cable Street" by G. Michael Truran offering an alternate version of 1936 Great Britain. 
  • "The Complex" by Shae Roberts which combines the Manchurian Candidate with the Black Panthers. 
  • "The Missing Women of India" by jim pinto gives an alternate setting of hyper-Patriarchy and India.

The campaign has several more cool ones in the pipeline, including Kira Magrann’s cyberpunk South Africa: "Chromewall." I’m glad to see the project bringing in more material dealing with representation and diversity. That’s made me even more eager for the final result. 

I'm cautiously optimistic about seeing more games tackle political issues, even at a tangent. There's certainly something in the air between Bully Pulpit's Winterhorn Robert Bohl's revision of Misspent Youth

I hope you'll check out the podcast; I think it's solid. 

Tuesday, October 31, 2017

November Projects & Age of Ravens Ideas

BLOG ON THE EDGE OF NOVEMBER
November is National Novel Writing Month. While I have a couple manuscripts in long-delayed progress (of course), I’m instead devoting myself to finish a small set of projects. So I’ll be taking November off from blogging, except for the next installment of my History of Universal RPGs (and maybe another if I get distracted). I’ll be back in December. As of the moment I have three things I really want to get into a finished state: my Wulin PbtA game, a Harvest Moon-style rpg, and a working public version of Action Cards (either generic or for a campaign frame).

To prepare I’ve gone through and updated my personal list of Blog post ideas. I have plenty of material to keep me occupied for the next several months. I’ve posted my "on deck" concepts below. Favorites, other suggestions, and/oror general comments are appreciated.

AGE OF RAVENS FUTURE POSTS
  • Another Pass on a Base Raiders/13th Age Adaptation
  • Ashen Stars Express
  • Birthright with 13th Age
  • Blades in the Dark Review
  • Bringing Fate into Dramasystem (or Vice Versa)
  • Changeling the Lost PbtA v 2.0
  • Cop Campaigns in Blades in the Dark
  • Coriolis & Fading Suns: Adaptation vs. Crossover
  • Cthulhu City Review
  • Demon and Promethean: Figuring out the Fun
  • Doing Dragon Quest with Dungeon World
  • Fate Supers: Assessing Options
  • Game Tech Posts: Damage, Stuff, Experience, and more
  • Icon-Based Events for City Adventures in 13th Age
  • Last Year in “XXX” Genre Lists
  • Lessons from WWW Season Two
  • Longer Term Godbound and Letting Go
  • Magic, Inc for Fate
  • Montage Conflicts & Events in PbtA
  • More Thoughts on Adapting Iron Kingdoms
  • My Pigsmoke Review
  • Neo Shinobi Vendetta for Fate
  • Our Experience with Legacy: Life Among the Ruins 2e
  • Pandemic Legacy: What Can We Steal?
  • Pigsmoke University Press: A New Front
  • Problem Scale and Solution Granularity
  • Railroad Cars, Passengers, and Events for Ghost Lines
  • Random City Travel Events
  • Revising Crowsmantle
  • Rolls per Session and Play Weight
  • Sprawl Mission Cards
  • Thoughts on High-Level Play: Kingdom, Legacy, Microscope, Fate


I may update progress during the month; otherwise I’ll see folks in December.  

Friday, October 27, 2017

History of Cyberpunk RPGs (Part Six: 2012-2016)

FINAL DATA RUN
This is the last of these cyberpunk lists. I’ll swing back around to check out 2017's releases towards the end of next year. But I can jack out the ‘Net. I hate that phrase. In writing these lists I’ve had to type the word “cyberpunk” endless times. I have mistyped and corrected myself countless instances as cyber-fatigue set in. Today I wrote it as “cyberlunk.” I assume that’s a person so augmented that they can’t think straight anymore. Below I present a few more alternatives:
  • Cyberbunk: Either a sleeping capsule or a scam run by a Fixer.
  • Cyberfunk: Technofuturist music co-opting AI-created musical scores.
  • Cybergunk: That unsightly build up on ‘Netrunner decks that comes from a combination of Cheeto dust and aerosol energy drinks.
  • Cyberjunk: Some of the games on these lists.
  • Cyberdunk: The forthcoming gritty VR reboot of Space Jam.
  • Cyberlump: Every cyberpunk roleplaying book condensed down to a 1x1x1 cube.
  • Cybermonk: The obvious full-on VR cyberpunk wuxia mash up.
  • Cyberpong: The ultimate old-school retro experience. Alternately: the scent of a street samurai.


FLATLINED
While I’m focusing on core books, I include a few notable sourcebooks and supplements (by my reckoning). Ironically, I only list books with a physical edition. I include an electronic release if they’re notable and of significant size. Some selections came down to a judgement call; my definition of cyberpunk’s broad. If the product declares itself that or several online sources give it that label, I put it in. I’m sure I missed some, so if you spot an absent cyberpunk rpg from 2012-2016, leave a note in the comments


aka Bounty Hunter, a French rpg. Characters play enforcers, often for corporate forces, in "Super Europe." I love that phrase but I'm guessing Hyper Europe or something like that would be a better translation. The game itself takes place 60 years in the future. Like many other marginal games on these list, it has cyberpunk-style tech, lots of guns, and an action game bent. The publisher only released a core book and GM screen.

2. Aeon Wave (2013)
A cyberpunk scenario/setting for Fate Core. In 2073 megacorps and discontents battle for control of a technology known as Aeontech. This has fueled most of the advances of this dystopian future – in computing, nanotech, energy, and beyond. But Aeontech isn’t native. Instead it came from Mars in a blast transmission from an ancient alien satellite. The initial decryptions spawned developments and knowledge that destabilized governments. But that research has only just begun; who knows what else will be discovered.

In Aeon Wave’s scenario freelancers investigate the death of a scientist, with payment in Aeontech knowledge. As with all proper cyberpunk noir, it gets much more complicated from there. It's a well written and presented adventure. Key characters get individual write-ups complete with new Fate stunts. It's a solid example of how to preset an open-ended Fate adventure. It has enough material that it could be used as a campaign starter.

Ha ha ha…wait you're serious...?

I love crazy mash ups. Love them. Usually in rpgs we just see systems repurposed for other genres (like doing a Star Wars Bounty Hunter game with Monster of the Week). Achtung! Cthulhu: Full Metal Cyberpunk Interface 19.40 (AC: FMCI) crosses two settings, a rarity. This sourcebook/adventure contains stats for both Call of Cthulhu 6th edition and Savage Worlds. It’s split into two parts.

The first gives a solidly cyberpunk world, but one shaped by the events of a Mythos-rich WW2. It draws a historical parallel between the two periods. It also explicitly ties the cybernetic and other aug-tech developments of 2090 to the mad science from the weird war. There's a lot of backstory here. Rather than provide mechanics, AC: FMCI has tons of setting fluff. It spends a chunk of time presenting cyberpunk-like augments in the context of the war and then what that stuff looks like in the future. So fully half the first book isn't really about the setting you'll actually be playing in. Are we supposed to use this to play a cyberpunk game?

The second half of the sourcebook makes me think not. Here that past material becomes relevant. This moves me into spoiler territory. However the basic shape should be obvious: an adventure shifting characters from one time period to the other.

It's a cool idea, but not really in my wheelhouse. AC: FMCI has a niche audience: those interested in weird sources for cyberpunk tech, tying history to the future, and/or digging Achtung Cthulhu enough to want to have it infect other games. It’s a little bit of a mess—with more ideas than coherency. But some of the best rpg material does that. AC: FMCI isn't the only book in this crossover series. Two other supplements connect AC to more WW2 leaning settings: Godlike and Dust.

A post-apocalyptic game with heavy horror, supernatural, and conspiracy elements. Still it has enough cyperpunk trappings to make the list. Fractured Kingdom takes place in 2202 after a hundred-year war in which the Church of the Redeemer destroyed science, technology, and advancement. The world has begun to bounce back but still remains a century behind its height. Tech exists and surrounds humanity, but it's a mix of cyberpunk and lost arts. Corporations run the show, having the greatest control over these resources. People hunt the ruins for devices, but often have no idea what these things do. I dig the concept of people having access to automated and cyber-tech but no understanding or means to repair that. That’s a dynamite hook.

But Fractured Kingdom wants to have heavy supernatural elements in the form of "Lucids." These persons possess strange, supernatural powers. They gain these by travelling to one of the four Outer Reams (Dark, Grave, Slumber, or Verdant). Their particular powers depend on which realm they entered. The PCs are Lucids, trying to survive in a fallen world filled with secret agendas, occult conspiracies, and ruthless corporations. It’s a kitchen sink setting with a dose of Mage: the Ascension, Over the Edge, and cyberpunk. Fractured Kingdom came out of a Kickstarter project. The publisher has only released the core book and a small freebie module. Reviews are generally favorable.

5. NeuroSpasta (2013)
I don't think that's the intent, but when I see this title I imagine spaghetti or spasms. Why is it called NeuroSpasta? No idea. There's no explanation in publisher blurbs or the first 50 pages of the core book. They thought it sounded cool? YRMV.

NeuroSpasta's set in the city of Archon at the end of the 21st Century. It's "…a city with no loyalties, no nationalities, and no ethnic superiority—a city built to shepherd a new age of world peace." As expected there's a dark underbelly with factions working to undermine or destroy. The designers describe the setting as "highly political." They stress several differences from traditional cyberpunk: political intrigue over megacorp dominance, an apparent utopia, subtle cybernetics, and people hacking.

NeuroSpasta has several versions. It originally came out for D&D 4e & associated revisions. Presently development focuses on Pathfinder and D&D 5E. The system feels trad d20: new races (phenotypes), classes, feats, prestige classes, equipment, etc. Overall it looks like one of the richer d20 cyberpunk settings. The art and layout's decent. You're still buying more mechanics and system than you are setting. Perhaps 50 pages out of 300 focus on background. Beyond different rules editions of the core book and a single short gazetteer the line hasn't grown.

6. Psi-Punk (2013)
In a future dystopia where megacorporations have seized control, some citizens still fight back. But they're often pitted against a growing number of outcasts possessing terrifying psychic powers. It's a great dynamic that shifts away from the usual binaries of cyberpunk rpgs. Psi-Punk’s a complete roleplaying game, powered by Fudge. It's a neat set up and Psi-Punk elaborates the simple Fudge mechanics with rules for psionics (and magic), cybernetics, and hacking. The core book includes strong world details, GM advice, and a sample adventure.

I like the concept of centering a cyberpunk game around psionics. We've seen others include a modest sub-system or go full fantasy with magic, but few have revolved the game around psychic abilities. It's certainly more robust than Psi-World. Cybergeneration comes the closest, but even that has a second agenda of youth vs. elders. Psi-Punk opens that space up but still feels strongly cyberpunk.

7. nanoChrome (2014)
A small Lulu-POD French rpg which pays homage to old school cyberpunk. It has tight rules with a complete book over a little over 100 pages. nanoChrome contains tools for generating the world. It follows the approach of Kevin Crawford and other OSR designers. That's alongside a simple 3d6 system, apparently borrowed from the fantasy rpg Dragon de poche (aka Pocket Dragon). Reviews on LeGrog are uniformly positive, stressing how simple but robust the game feels.

Part of a series of simple and complete genre games using the OneDice mechanics. As you can imagine, it requires only a d6 for each player. OneDice Cyberpunk offers rules, thirty pages of setting & GM advice, plus two "skins" for new worlds: Machine Worlds and Post-Apocalyptic. The tightness of the skill-based system means that you don't need an additional core book (like OneDice Universal). Characters have 3-4 ability scores, three calculated scores, a background, and a few skills. The book’s light, with slightly cartoony line art. But if you just want to try out cyberpunk at your table, this might be a good choice.

9. Rotsystem (2014)
Or in English, “Rootsystem.” A Swedish post-apocalyptic rpg. It presents the age-old story: Man meet Nature, Man Ravages Nature, Nature Ravages Man, Man Retreats to Mega-Cities, Nature Takes Over. Within the cities, humanity battles against dominance by corporate overlords. The game calls itself "retro-cyberpunk." In this world people have "no wireless networks, no satellites, no cell phones, no GPS." The Green World outside has a form of communication which can bore into and take over systems using those frequencies. So I think they have a more “hardware hacking” approach. I like that, and it suggests an interesting Dieselpunk tone. The artwork's striking as well. A cool done-in-one game which I hope will eventually see an English translation. The Swedish original can be purchased PWYW from DTRPG.

10. Bleeding Edge (2015)
Subtitle: “High-Tech Low-Life Role-Play.” Another successful Kickstarter, Bleeding Edge comes from Sanguine Games, publisher of Ironclaw & Jadeclaw as well as several other lines. It's a relatively recent game, meaning reviews have been hard to come by. The $25 price tag for the pdf also puts it a little outside an impulse buy. It feels like a kitchen-sink cyberpunk game, with strong anime inspirations: lots of choice, but little focus. There's a timeline and gazetteer of the info-dump variety.

Bleeding Edge’s system "build(s) on SRD's proven technology." By that I think they mean the d20 SRD. It seems an odd way to put it. The game drops the d20 in favor of 2d6. Beyond that I'm unsure. I'd hoped to find a sample character sheet, but no luck. Preview links beyond the cover image on DTRPG seem to be broken as well.

There's a kind of funny review of this on RPGNet. In opens by claiming cyberpunk died the second it became a thing. There's a long digression on that negative position in the article. It's a review that name drops Naked Lunch, Gravity's Rainbow, and The Godfather. It has good detail on Bleeding Edge if you can move past the posturing. It may be parody, but Poe's Law holds here.

11. Headspace (2016)
2016 saw three new PbtA cyberpunk games-- the first ones to adapt those game elements to that genre. Headspace's the firstI played, a pre-release demo at Gen Con a few years ago. In Headspace you run a linked group of operators. Each person has a role in the team. But all members of the team have had their consciousness linked together. In play that means everyone can draw on each other’s skills, but at a risk to the group's stress and emotional stability. Absent roles and dead characters can remain in the shared space as ghosts. Headspace has a striking concept, and it’s the most tightly defined of the three PbtA games.

Headspace takes place in a detailed, post-crash world. While there's some collaborative building, Headspace presents an established backdrop. That isn't to say its monolithic; the back of the book presents several different flexible locales. Players work to uncover and disrupt corporate and government plots. In a Slack comment Robert Ruthven put some of Headspace in context for me, "There's...an atonement aspect to Headspace, since all the PCs are ex-corporate operatives turned against their former employers." I like that- it isn't exactly the mission-based approach of The Sprawl (see below) but it does define the play. Headspace offers a ton of tools for tracking these organizations and their plots.

That level of detail-- there and throughout the rules—might be why Headspace doesn't click with me as much as other cyberpunk games. It has extensive moving parts on multiple levels. While I might not run it, I'm not disappointed I backed the Kickstarter. The core book has a host of great ideas and approaches to borrow for other games.

12. Hypercorps 2099 (2016)
Superhero cyberpunk for Pathfinder and D&D 5E. Before I begin, can I just say how much the Hypercorps 2099 Primer made me smile? Because everything there has the prefix “Hyper” on it. Hyper Score, Hyper Bonuses, Hyper Feat, Hyper Abilities, Hyper Lucky, Hyper Reputation, Hyper Flaws, Hyper Routes, Hyper Grades, Hypernauts, and more. Hyper is the new cyber. It's wonderfully gonzo and yet so serious. And crunchy. Really crunchy. The character sheet is crazy dense with font choices that don't help it at all.

Hypercorps sells itself on the transition from fantasy gaming to something different and new, a game genre unseen before: "Hypercorps 2099 is about high-octane, adrenaline-filled missions in a dystopic future where uncaring CEOs are the master villains, not the typical quests of medieval adventure in which liches and thieves’ guilds are the culprits (though in a super-powered fantasy future, it’s a good idea never to say never). Operators (the adventurers) are grittier than the typical party—even paladins need to eat—and making a living at the dawn of the 22nd century isn’t always going to be honest or virtuous." There's an interesting subtext there, deliberate or not, that gamers wouldn't be aware of these kinds of "cyber" game genres or conventions.

The world itself arises from an 1876 time-traveler going forward 200 years. His transition creates tears and disruptions across the world. That spills all kinds of fantasy creatures into the 19th Century. Then there's occult experimentation, mutations, and a long and detailed timeline. Eventually we get to the present kitchen-sink world of Hypercorps 2099. We have cybernetics, big guns, and operators who jack into the Hypernet (there's one I missed).

The system feels like a standard SRD/d20 adaptation: new races, feats, classes. It’s the usual fare. The Rifts-esque setting including vampire lands, mystical Kathmandu, and apocalyptic Cleveland. The publisher has released a couple of supplements in both system flavors. They've also been enthusiastic enough to create a whole alternate reality line for the game: Hypercorps 2099 Wasteland. There the events of the past don't lead to a hypertech dystopia but instead a post-apocalyptic landscape.

13. Project Darklight (2016)
Set in 2233, Project Darklight is one of the later dystopian futures. It also has multiple worlds, a relative rarity in these games. The rpg takes up after a lengthy set of corporate wars leave only three corps standing. But the extensive conflict has woken many citizens and factions from their slumber. Now they're fighting back against the corporations' efforts to reclaim territory and status, selling "Project Darklight" as a way to prosperity and safety. These are new technologies, well beyond the present levels being pumped out from a secret research facility. The scale and scope of these technologies leave many wondering as to where they actually come from.

Project Darklight's built on Wordplay, a generic system I've talked about on other lists. In it you define characters via Traits-- words or phrases. Players may generate their traits in a number of ways. It's a process similar to HeroQuest. They can make a simple list or write a story and pick out elements. Unusual powers have their own mechanics, but generally operate by the same trait system. The system's heavily narrative and fairly simple. It takes a fully generic approach, lacking distinct sub-systems. Everything can be handled via the resolution system. It doesn’t require further articulation.

I like this simple but character-detail rich approach. That simplicity means that you get a greater focus on setting and theme in the material. Project Darklight presents that well; it breaks up sections with overview lists for example. It has the classic cyberpunk tropes, but within a larger, interstellar, context. In other hands that could feel gonzo and kitchen sink. Here it works. I'd recommend this to someone wanting a longer-term cyberpunk story game.

14. The Sprawl (2016)
What The Sprawl does, it does well. It’s the second of the trio of cyberpunk PbtA games released in this period, the first to actually see print. The Sprawl simulates classic, mission-driven cyberpunk adventures. There's a structure to the sessions: get a job, plan a job, execute the job, get paid, clean up. It's one of several recent games with a baked-in game sequence (Blades in the Dark being another). It is possible to broaden that approach over time; the book provides advice for doing so. But that will probably be after multiple missions.

And maybe multiple characters.

Played straight, The Sprawl's a seriously lethal game. I ran ten sessions online and I nearly killed a PC (or more) in most of those games. Eventually the players learned how to manage risk; that’s an awesome arc for play. You can see my longer examination of The Sprawl here.

Long story short, I dig The Sprawl for what it wants to do. It's excellent within that mission-driven framework. I can see ways to expand that, but it hums in its element. I particularly like the way players collaboratively build the world. They start by creating the corporations which define it. That gives the game a clear focus. If there's one weakness, that would be in the Netrunning rules, always a sticking point for cyberpunk games. But that may be more a weakness of my execution. I only had one runner when I ran and I maybe gave short shrift to those elements. That’s a tough balance. There's a lot of amazing stuff in The Sprawl (the use of clocks, for example) that any cyberpunk GM should examine.

15. The Veil (2016)
It's fitting that I wrap up these cyberpunk lists with The Veil. It bookends the genre: Cyberpunk 2013 sets the basics and The Veil moves us to a post-cyberpunk space. That isn’t a shift to standard sci-fi or transhumanist fiction. Instead The Veil borrows and reworks concepts from cyberpunk. It comes from someone who didn't grow up with old school cyberpunk elements as the default. It's from someone who read later-wave and recent spec-fic, someone whose cyberpunk anime experiences didn't begin with big guns & hot chick mecha. It's a fresh perspective, and one that makes me feel a little old. (And contrary to how my friend Paul feels, I still think it’s cyberpunk.)

I've written a longer piece with my impressions, but I'll condense and focus those here. The Veil’s a PbtA game with a looser setting than many cyberpunk rpgs. Here player/MC collaboration creates the world. We’ve seen that before with The Sprawl, but that has a strong story structure echoing classic burning chrome and grimy operator cyberpunk games. The Veil has a single key setting conceit, the Veil, a level of augmented reality everyone’s plugged into. Several actions in the game tie to the Veil literally and metaphorically. At first I wasn’t sure about that, but a couple of sessions in I saw how much you could shape the concept of the Veil itself: how it works, what it does, how potent it is, who has control.

Like other PbtA games, The Veil has playbooks. They’re all striking and distinct, carving out their own niche in the fiction. Each has a small, but evocative set of unique moves. But as important as the moves, each playbook contains background questions and decisions. These aren’t just the usual relationships and backstories. They ask you to define fundamental aspects of the world and your role in it. Each has something that it establishes about the world. The Catabolist deals with cybernetics and implants. The Apparatus is about artificial life. The Architect covers the metaverse & Veil. The Wayward decides what lies outside of the urban world. Playbook choice has a dramatic impact on the game you’re going to play. The combinations and interactions of the playbooks within a group create a distinct play universe.

There's more but I think what strikes me most is how quickly The Veil generates interesting stories. The best PbtA games do that quickly and capture the feel of the genre. I've run The Veil more than a dozen times and each new world has felt distinct and vibrant. I'm not saying the game is perfect. It has some mechanical clunkiness in a few playbooks, more terms than necessary, a lack of character material in the core rules, and the need for another editorial cutting pass. But it's solid and not just one of my favorite cyberpunk rpgs, but one of my favorite rpgs period. If you're looking for classic cyberpunk this isn't it. But it is a game where you can really explore the themes and ideas of that genre, often without killing anyone.

16. Miscellaneous: Cyberpunk Adjacent
Games which lean into or have some of the cyberpunk trappings but which didn’t match my arbitrary and hidden data assessment.
  • Falling Stars: Alien races, tactical combat, corporate intrigue.
  • Kaisho: Global cataclysm followed by world flooding followed by alien invasion. You’re part of the resistance in a setting with tech like skill injections and chi manipulation.
  • Magarchy: An alternate history fantasy Fate Core setting. “Magarchy takes its inspiration from both history and modern cyberpunk genre stories, posing a thought provoking juxtaposition of places and themes. Hacking cybertechnologies and slinging powerful spells to fight or aid trans-kingdom companies bent on exploiting the peasant masses, Magarchs find themselves at the center of a timeless conflict between tradition and innovation, church and state, power and principle.”
  • MERCS: An Italian Savage Worlds campaign book. Players become space mercenaries in a cybernetic future. Shades of other big guns games like Mutant Chronicles.
  • Robotic Age: Here androids and humans struggle for rights, control, and status. It's a world with easy access to tech and dangerous wepaons, alongside strong social divisions. Despite that seriousness the cover and the interior art has a cartoony quality. And big guns.
  • World War Korea: A French “turnkey” campaign set in a near future. Players race to thwart the schemes of multinational corporations. Timely. 
  • The Zombie Squad: Prisoners of the corporations “volunteer” to be heightened soldiers under their control.

17. Miscellaneous PDF-Only Releases
Arbitrarily cut off at products with at least two dozen pages.
  • always/never/now: A successful Kickstarter from Will Hindmarch. Cyberpunk rpg campaign with shades of Lady Blackbird.
  • Black Hack Cyber-Hacked: Adaptation of the popular Black Hack to the genre.
  • cyber.net.ica: A world of living cyberspace. Has versions for both The Black Hack and Tunnels & Trolls.
  • Cyberblues City: A self-described “mellow” cyberpunk rpg.
  • Cyber-Fate, Cyber-Cthulhu, Cyber Multiverse: Shovelware releases from Starbright.
  • Dark Orbital: Cyberpunk location sourcebook For Starcluster 4
  • Fates Worse Than Death Rentpunk: A supplement for FWTD that focuses on struggles between roomies.
  • Kill The Buddha: Dystopian Kung Fu Roleplaying: Exactly what it sounds like.
  • Mirrorshades: Another one based on The Black Hack.
  • Modern Adventures: A Pathfinder “modern” supplement which includes the “Silicon Gothic” sample setting.
  • Nexus D20 Cyberpunk: Cyberpunk supplement for the Nexus D20 System.
  • Rewired: A “Quick and Dirty" cyberpunk rpg.
  • Soldiers of Misfortune: “Prepare to enter the cyberpulp worlds of Soldiers of Misfortune where bare-knuckle boxing a giant shark person and jumping out of a one hundred story building escape corporate security androids is just part of an honest day's work
  • The Cyber Age: Campaign sourcebook for Infinite Futures a Pathfinder-compatible product.
  • Tweaks: A great rpg of the proto-cybernetic world.
  • Welcome To Neuro City: Fantasy cyberpunk supplement for Arcana Rising.
  • Wield Companion: Includes a section on cybernetics as the animate weapons and items of the Wield rpg. 




Monday, October 23, 2017

Gauntlet Roadshows: Gaming Thunder

LIVE FROM CAMDEN, NEW JERSEY...
GauntletCon ran this weekend, with nary a hitch (except a hilarious one I’ll mention below). I ran four sessions of World Wide Wrestling for it, spinning off from our “Gauntlet League Wrestling” promotions. We framed it as a series of road events, minor house shows. Dictatorial General Manager Bleakwood set these up looking for new cheap talent to replace old hands.

We took first hour (or less) of three to do character creation and build the “Heat Map” of relationships. Then we get to the matches. The WWW's First Session Quickstart has great suggestions on how to book events based on the number of players. I was nervous because my first game (in the earliest possible slot) had only two players, and a couple of the others had similar fill levels. But I loved the two player game since gave both wrestlers tons of spotlight time before their big showdown. My other three events filled by the time I ran so that turned out awesome.

World Wide Wrestling’ remains amazing and fun, even for those with only cursory pro wrestling knowledge (like me) or who haven’t watched at all. We had players from across the smart spectrum over the weekend. I ran for returning WWW vets, Gauntleteers I’d run non-WWW games for, and many completely new players. I love meeting and running for new people at cons. Three hours is a tight for WWW sessions; you don’t get as many backstage and locker room scenes (one of the game's best features). I made sure to stop off and let the players come up with the venue—developing its respective quirks and challenges. That gave us an ongoing BBQ, a rowdy audience filled with drunk free-ticket holders, an intrusive marching band, a Lady Gaga concert, and more.

Thanks to everyone who played—I loved it all. As to that hitch I mentioned above...If you watch session two, you'll see The Analyst struggling. He never rolls above a 4 on 2d6. It turned out a recent online die roller update had bugged anyone rolling dice with pips instead of numbers. Of the six players only The Analyst used those. The creator fixed the problem rapidly and we had no problems with the next session. But it's pretty funny if you watch knowing that's. 

You can see the actual play videos for all four sessions below.

If you’re curious about the 93 games (plus panels) from GauntletCon, you can check out the YouTube playlists below:

SESSION ONE: Mimi Hazard vs. The Jaguar

SESSION TWO: The Coming of the Kraken

SESSION THREE: Final Showdown of Sub Pig and The Analyst

SESSION FOUR: Coffin Match!!!

Thursday, October 19, 2017

Gareth Ryder Hanrahan: Interviewed!

NEVER STOP NEVER STOPPING
Episode 119 of the Gauntlet Podcast is up for your listening pleasure! In this one I talk with Gareth Ryder-Hanrahan about Cthulhu City, his approach to writing, and his voluminous output. Gareth’s one of rpgdom’s most productive and interesting creators. I mean—seriously-- check out RPG Geek’s book summary. It includes sourcebooks, modules, adventure collections, and megadungeons. They list him at just shy of 200 releases and I’m certain that’s incomplete.

Gareth delivers evocative ideas and amazing set-ups. He works on the trad side, but his rich concepts and plots can easily adapt to indie and story games.

His RPG Geek Listing: http://bit.ly/2hNOpDa

Below are a few things by Hanrahan I really love.

GUMSHOE ADVENTURES
GRH has written several really sharp adventure collections for GUMSHOE products. Elsewhere I’ve reviewed Dead Rock Seven for Ashen Stars. I love its variety. The Zalozhniy Quartet offers a series of linked adventures for Night’s Black Agents approachable in any order. They’re both great introductions to the core book’s world—providing great examples of the problems and situations you could play out. In both cases GRH built on adventure concepts from the core book author, providing the flesh and bone to that spirit.

One of my favorite collections he’s done is Brief Cases, one of two books for Mutant City Blues. Harahan has a mandate here: provide rich adventures doable in a session or two. They’re fast, but not thin. Each one leans into a different aspect of the setting. I’ve run “Blastback” for The Gauntlet Hangouts and I appreciated the way the game sets things up for the GM. (See my write-up here with links to the videos).

Some modules provide little GM guidance on how to actually approach reading or running the adventure. They expect the GM to decipher and discover the fun buried within. That works for broadly sketched resources, like Dungeon World starters. Adventures with more connections and detail require signposts. On the other hand, some modules itemize the process: X scene --> Y scene --> Z scene. They offer a track and show how to steer the players back on to it. There’s an expectation of control. Hanranhan’s adventures expect the players to shoot off in many directions. They discuss ways to approach that and how scenes & incidents can flow into one another. Most of all, they consider the practicalities of timing and how to handle changes.

13TH AGE
I’ve mentioned before my love for Rolemaster’s Creatures & Treasures series. They’re great, wild, and random. I’ve bought other item books—the d20 glut spit forth a ton of them-- but I’d never found any I’d really dug. Until I hit The Book of Loot. It’s a great collection, with amazing ideas smartly organized by the Icons. That means you can easily key an item or a player or a situation. My favorite kind of treasures has always been those with novel ability. This has that in spades. I don’t items fully mechanized, just a grab bag of bonuses. I need stuff that players can use in clever ways or that open new approaches to problems.

There’s also Eyes of the Stone Thief. In 13th Age’s Dragon Empire living dungeons bubble to the surface from somewhere down below. These lairs change and reshape over time. Some eat other dungeons. The Stone Thief is a megadungeon which has swallowed cities and castles. It adapts, learns, and changes. You can imagine the challenge in setting that up for the GM. The book’s at once a solid adventure and a toolbox. Since groups can head in many directions it has sections, set pieces, factions, flow charts—all easily divided and accessible. The smart organization struck me when I ran pieces from it. There’s also a dynamite section of dungeoneering at the start and a great index-glossary of key elements at the back.

DRAMASYSTEM
Finally there’s “Heroes of the City.” It’s a short little thing, a DS pitch from Blood on the Snow. But it grabs my attention like no other concept. A band of Heroes and their gathered forces have finally defeated the Big Bad Warlock in his capitol. This is about what happens next. It’s a story about reconstruction, alliance crumbling, old feuds arising, and dark conspiracies lurking. While I never got it to the table with DramaSystem, I did run it as a session of Kingdom. I loved it and I’m probably going to run it again with Fate next year.

WISH LIST
3 Games I’d Love to See GRH Write For
1. Cryptomancer: I really dig this concept and I want to return to it again next year. I’ll love to see some adventure seeds for this “heroes underground” concept. The setting has so many cool ideas that I’d be interested in what he pull out as adventures.

2. Any Free League publication: Tales from the Loop, Coriolis, but especially Mutant: Year Zero. MYZ has a series of Zone Sectors. They’re adventure set ups, NPCs, challenges, and concepts. GRH could offer interesting twists on what happens at home and in the zone.

3. Base Raiders: GRH’s done dungeon-crawls and superheroes (via MCB). I’d be super excited to see what he’d do with those two in combination. What kind of villain base would he create? How would he draw out the cool from the setup?

And of course I’d also like to see a fuller version of “Heroes of the City,” with some mechanics to support that. Perhaps for Dungeon World or 13TH Age.


Anyway, check out the podcast and consider taking a look at Cthulhu City. I have my copy and I’m working through it. I’ll post a review when I’ve had a chance to play around with it more. 

Thursday, October 12, 2017

Retrocember Rolemaster: Bringing Law to the Ursine Dunes

BEARS DON’T DO TINY CRITS
As I posted a while back, I try not to work on my Gauntlet 2-4 shot games any sooner than two weeks beforehand. It keeps my sanity and structures my schedule. So obviously I’m going to break that rule right now.

In December I have six sessions of Rolemaster on the schedule. That’s broken into a Thursday and a Sunday run of three sessions each. We’ll be playing using Slumbering Ursine Dunes and Fever-Dreaming Marlinko, an exciting Slavic-flavored setting for Labyrinth Lord.
I'm running three sessions of Slumbering Ursine Dunes with Rolemaster in December. The Dunes offers a point-crawl fantasy exploration game set in a Slavic-tinged world. We may even stop off in Fever-Dreaming Marlinko. We will play from pre-gens, rules will be taught, sessions run about 2 1/2 hours 
*Wait, go back. Did you say Rolemaster?
Yes—if you haven’t played it, you’ve probably heard of it. Here’s a chance to check out what’s groovy about it without getting too far into the complexities. I’ll have a simple one-page cheat, we’ll use nice Roll20 characters, and the GM will take care of most of the combat look-up & resolution. I ran RM for years and I’ll be using my simple version of several elements. I’ll be fun.

Come and try it out! If not for the system, then for the setting. It has Slavic Werebears!!! What more could you want!
I’m super excited for this. As of this writing, I even have a seat available in the Sunday. But consider signing up for one or both series in any case. We have waitlists available and seats might open up between now and the start of December.

Thursday Night Series
S1 http://bit.ly/2ycAiSw Thursday Dec. 7th, 8PM EST
S2 http://bit.ly/2xDitvi Thursday Dec. 14th, 8PM EST
S3 http://bit.ly/2x2jwp2 Thursday Dec. 21st, 8PM EST

Sunday Morning Series
S1 http://bit.ly/2xb7BAo Sunday Dec. 3rd, 10AM EST
S2 http://bit.ly/2kfZa5z Sunday Dec. 10th, 10AM EST
S3 http://bit.ly/2hHH0sF Sunday Dec. 17st, 10AM EST

MAKING MY BONES
I ran Rolemaster for many, many years. When I first bought it, they printed the rules on parchment and cardstock. That didn’t even really consider itself a system, just pieces and parts that could be fused together. Faith and willful ignorance of system gaps glued that game together. Over the next two decades I stayed on through multiple reformattings and eventually a massively revised edition, Rolemaster Standard System. RMSS finally burned me out. I gave away all of my copies and materials.

But then a couple of years ago Shawn Sanford ran some Rolemaster for Sherri and I. We saw some of the bits and hilarity that made it such a distinctive game. Super trad, super chart-filled, and super full of crunch. Trad I can handle-- that’s just a flavor. Chart-filled I can manage—I got good at making RM flow quickly. Crunchy I can deal with by sanding down the rough edges. So that’s what I want to look at today. What do I need to do to make Rolemaster simple and accessible for a three shot game with new players?

Note: most of this is inside baseball for folks who know Rolemaster.

WHAT DO THEY NEED TO KNOW?
One goal will be to reduce the info the players need to manage. A RM character sheet has a ton of detail, but not all of it actionable at the table. For example skill and combat values come from multiple sources (base rank, stat bonus, levels, items). But only the final value is really relevant at the table. The details come into play mostly for advancement.

The same thing for characteristics. Each of the ten stats has a value, potential, racial bonus, and base bonus. Some give development points for advancement. All we need to know for a three shot is the final total. While I’ll have a full character sheet with the details the player sheet will be minimal.

What else has to be recorded to make this workable? Profession, Race, Level, Armor Type, Defensive Bonus, Hit Points, Maneuver penalty (for some armor). Cutting things down to that makes it easier to spot what you need to know. Unless you’re a magic-user, but I’ll come back to that.

WHO GOES FIRST?
Initiative’s always been wonky in Rolemaster. Throughout the Companion series we saw multiple versions, most involving complicated action costs and point spends. Some remain among the craziest, most convoluted things I’ve ever read. For my version we’ll go with one of two approaches. A) Everyone rolls at the start of a fight and we rack ‘em up. I’ll probably have players roll d100 plus Quickness bonus. B) An even easier roll determining which side goes first. Winning side, then losing, then mooks. Rolemaster puts emphasis on missile weapons going first, so in the case of the former, they’d get a bonus to the roll. In the case of the latter, we’d break it up into phases (all missiles and then all melee).

MOVEMENT/MANEUVERS
Rolemaster has a complicated Movement/Maneuver system. If you need to roll for a non-attack action, there’s a table cross-referencing difficulty and roll, resulting in percentage of accomplishments. In play, we always eyeballed results, rather than stopping off to work through that. Rolemaster Standard System added an innovation of easier action result charts. They still had different ones for each category of skills (so about 30), but they shared a basic format. For our play, I’ll adapt that. Players will roll d100 plus relevant skill modified by difficulty.
176+ Absolute Success: In combat, you get a free half action. Outside of combat, you kick-ass and get a +30 to your next test. The GM may assign extra benefits.
111 to 175 Success: You do exactly what you set out to do.
91 to 110 Near Success: You do mostly what you set out to do. There’s a cost, complication, or you still have something left to do.
UM 100 Unusual Success: You do what you set out to do and there’s a positive additional effect for the scene.
76 to 90 Partial Success: In combat, you fail but gain a +15 to your next attempt with this. Outside of combat, there’s a cost, complication, or you still have something left to do
UM 66 Unusual Event: Something weird happens. It changes up what’s happening and may require a different check.
05 to 75 Failure: You fail and/or make no progress.
-25 to 04 Absolute Failure: You fail and/or make no progress. There’s also a cost (a penalty on the next roll, damage, situational effect, etc.)
-26 or less Spectacular Failure: FUMBLE-LAYA
I may simplify this more, but in the end I want something I can call quickly and players can pick up on.

INFINITE SKILL
Basic Rolemaster has a tight set of skills, all action or combat elements (Perception, Stalk/Hide, Maneuvering in Armor). But it also has a list of “Secondary Skills” as optional elements. This consists of about 40 skills. They’re…varied-- Contortions to First Aid to Herding to Rowing (and Sailing) to Tracking to Wood-Carving. These arrived in later editions of Character Law as a way to broaden character development. Then Rolemaster Companion II added a complete and compiled 20 page skill list. When they reworked Rolemaster into the Rolemaster Standard System, they leaned into that. Now we had a multi-page character skeet fat with individual skills.

For a three session game, I don’t want to worry about that.

Instead I’m going to put a short list a “Secondary Skill” listings on everyone’s sheet. I’ll distribute bonuses across those. When a player wants to do something and they want to declare knowledge of it, they can name a skill and write it in next to the bonus of their choice. We’ll then decide on a associated stat for it. This will let players define their characters on the fly, make skills effective, and create an interesting set of resource choices.

ARMING YOURSELF
One of the largest challenges to running Rolemaster comes from the combat charts. Weapons have individual charts. A successful roll usually moves players over to an additional critical table (Slash, Crush, Pierce, Heat, Shock, etc). That’s the cornerstone of the system and why it’s dismissively referred to as Chartmaster.

But that’s also the secret sauce.

Those charts are great, wild, and fun. Over the many years I ran it weekly, I got good at looking things up. I did it quickly. When I played online with Shawn Sanford, he had players read their own weapon chart, but he handled the Crits. That worked since the table consisted of mostly RM vets. For what I’m doing, it isn’t as great a choice. I don’t want to dump that in new players’ laps. I also avoiding an app. I’ve tried those before but they’ve been slower than handling it by hand.

So what I am going to do it a little meta, a little behind the curtain. Since I’m making pre-gens, I’ll be choosing characters’ weapons. For these, I’ll go with the most common types (Broadsword, Dagger, Battle Axe, Longbow, etc). I can keep that pool manageable rather than having a dozen different weapons (Scimitar, Falchion, Main Gauche, Rapier) to flip through.

WHAT HO, MAGIC?
Magic in Rolemaster’s complicated. Like really, really complicated. Just buying spells involves investing in lists of spells at level ranges. Spells cost power points. Casting a spell’s a maneuver—with higher success modifying the target’s resistance. Elemental attack spells have their own tables and often specific critical types. Ideally I want to reduce the workload on the PC spellcaster down to: what do the spells I know do, what do they cost, what do I have to roll? I think that should be easy. I can make easy, individual cheat sheets for this.

A little more complex is the issue of spell prep. See RM has a delightful restriction of spell casters. Spells usually take three rounds to go off. Two of prep and followed by an activation round. Yes. Three rounds. However, if the level of the spell’s three to five less than the caster’s level, they can cast it with one round of prep and one of activation. Given PCs will be level four, that means only first level spells.

However, there’s a mechanic to cast faster—it just means that you have a nastier effect if you mess up your casting. There’s also a mechanic for casting spells higher than your level. I have to figure how to write those options clearly. Other variations exist, but I want to cut those down to a manageable set.

I suspect magic will be the most involved section to work through.

OMFG THIS ISN’T ROLEMASTER
Maybe? Maybe not? I’m sanding off the rough edges, but frankly the changes fit into two categories. A) a focus on limited sessions of play . That means hiding the character creation and non-play elements away. B) the kinds of changes I usually made when I ran anyway, like easier initiative.


So there it is—and though it may not seem like it, I’m super excited and looking forward to this. I’m almost giddy with the thought of rolling those percentiles and dishing out exquisite damage. Delicious!